Despite their serious purpose, the Army garrisons soon became a popular attraction. William Whitehead (OW), the poet laureate, wrote to Lord Harcourt: ‘The camp in St James’s Park is so extremely pretty that you would be charmed with the sight of it. Tents, ammunition, colours, carriages, cannons and kettledrums.’ From his home in St George’s Row, on the north side of Hyde Park, Sandby was well placed to observe the military activity. In 1781 he exhibited at the Royal Academy three views of the troops in Hyde Park, possibly including the present watercolour, and four of other encampments in London. He subsequently published four large and two small sets of etchings of the camps. In the National Gallery of Canada, Ottawa, is a smaller version of this scene, dated 1780, which must have served as a preparatory work for the picture at Winchester.
Although this watercolour recalls a time of great political tension, the scene is a cheerful one. In the centre, a woman serves ale to two soldiers, while another carries a bottle and baskets of provisions. On the right-hand side are two well-dressed women and a girl. Behind them one of the soldiers runs alongside a child riding a horse. Sandby specialised in landscape, but he enjoyed painting human figures going about their activities.
Exhibited: Sotheby’s, London, Watercolours from Winchester College, 1988, no. 5.
Provenance: Gift of Harry Collison, 1940.