Given his love of effects of light, Wright found two Italian subjects which particularly appealed to him and which he painted on a number of occasions – the eruption of Vesuvius and the annual firework display in Rome known as the `Girandola’. He wrote to his brother Richard: `The one [is] the greatest effect of Nature the other of Art that I suppose can be’.
Wright’s landscape sketches were drawn largely for his own interest and were not often used as the basis for later finished pictures, though his oil painting of Virgil’s Tomb with a Figure of Silus Italicus (1779, Yale Centre for British Art) does include a prominent outcrop of rock with trees growing from it. The present drawing is part of a group of landscape studies which were with the art dealers Colnaghi in 1966. Other Italian wash drawings by the artist are in the Tate Gallery, Fitzwilliam Museum and the Rhode Island School of Design with a large group in the Derby Art Gallery.
Exhibited: City Art Gallery, Derby, 1947; on loan to the Ulster Museum, 1980–1993.
Literature: Iolo William, Early English Watercolours (London, 1952), p. 79.
Provenance: Miss N.K. Wood (by 1947); Sotheby’s, 20 July 1966 (part lot 209); Colnaghi, London, 1966; Major-General Sir John D’Arcy Anderson and Lady Elizabeth Anderson; gift of Lady Anderson, 1993.