Ironically, Steer’s introduction to Impressionism probably took place in London during a visit in the summer of 1883. It was then that he saw Durand-Ruel’s exhibition of Impressionist paintings at Dowdeswell’s Gallery, including the work of Monet, Pissarro and Renoir. By the late 1880s, Steer was the leading follower of French Impressionism in England. The beach scenes he painted between 1887 and 1889 on the English and French coasts are indebted to the style of Monet and Sisley, with their light colour palette and flickering brushstrokes.
This work belongs to a later phase in Steer’s career, but takes us back to an artistic tradition that pre-dates Impressionism and is woven into the history of English watercolour painting. After the mid 1890s, Steer spent his summers visiting many of the favoured sites of the late eighteenth-century Picturesque Tour, and a re-appraisal of the landscapes of Turner and Constable is evident in his mature style. In this watercolour there are echoes of Turner’s later works in the intensity of the colour and the summary treatment of form, and of Constable’s fascination with the ever-changing English sky.
Exhibited: Arts Council Touring Exhibition, Some 20th Century English Paintings and Drawings, 1987, no. 2; Sotheby’s, London, Watercolours from Winchester College, 1988, no. 51.
Provenance: Gift of Harry Collison, 1940.