Major Duberly writes that Margaret Medley thought that this piece was Transitional (mid 17th century) as the mark was upside down. He also noted that “the ducks denote married fidelity, the pomegranate fertility, the peach longevity and the peony riches and honour”.
Literature: Anthony du Boulay, The Duberly Collection of Chinese Art at Winchester College (Winchester, 2019), p. 32
Provenance: Bequeathed as part of the Duberly Collection, 1978; purchased by Major Montagu and Lady Eileen Duberly from John Sparks, 13 January 1959 (£5)
Location: Treasury, Gallery 2